London Art Fair review

The London Art Fair is a unique opportunity to summarise what is happening in the high end gallery led art scene around the globe in that one year.

The collective in London hosted most of the main brand galleries representing mainly visual arts, with some sculpture and three dimensional work for sale, in the case where 3d was the only medium the artist worked in.

This year there were surprisingly a lot of trees, and in similar shapes. This made me wonder if there was a synchronicity between the artists but then again most of the works were made at different time frames. Yet the shape of the tree was prevailing over and over again.

Another repetitive feature was the cut out Victorian style book illustrations turned mini 3d landscapes. Is there a return to the kind of darkness that books enlighten through the imagination?

The artists that stood out are:

Elle Davies for the greenness of the forest shots. Did she go for the exotication of green spaces?

https://elliedavies.co.uk

Michael Ormerod for his American urban. landscapes washing out the impact of capitalism.

https://www.cranekalmanbrighton.com/photographer-category/20th-century-photographers/michael-ormerod/

Nicholas Feldmeyer for his stunning post apocalyptic digitally produced black and white landscapes.

http://www.feldmeyer.ch/index.php?page=290

Ian Berry’s jeans made 3d frame of Roosevelt Hotel.

http://www.ianberry.org

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A walk in the port of Piraeus

Westward from the ferry port for destinations to the Cyclades and Crete, the port of Pireaus has a few hidden surprises.

Boats get larger and the space wider, abandoned warehouses as a backdrop, grafitti and murals galore.

The Chinese Road and Belt initiative will be redeveloping this area and on a beautifully sunny autumnal Sunday morning, I could not find an excuse to not document the blue of the sea with the yellows and blues of the ferries and the brownish grey concrete warehouses overshadowing the port streets.

I can’t predict what the port will look like in the future development, however I know for sure, the colourful ferries will still be floating on the beautiful coloured sea all the same.

Driving around in Westfalen

Christmas in Germany, through the markets and shops, the streets decorated with pine trees, lights out letting the natural phenomena shed light as clouds, day and dusk allow.

Yet the most fascinating part in the journey is driving from place to place.

Unlike the English quintessential village feel, the countryside in Westfalia is a mix of wild growth areas and farmed fields, wind turbines and easyness, in the sense of a down to earth grounded kind.

Facebook smearing the Open Society Foundations

Friday evening arrived with this in my inbox. I will likely be revisiting tactics used by Facebook to test our patience further. The next question is how to stop Zuckerberg from exerting so much uncontrolled energy into current affairs.

———- Forwarded message ———-
From: Patrick Gaspard <contact@opensocietyfoundations.org>
Date: 16 Nov 2018 11:48 am
Subject: Our Response to Facebook’s Smear Tactics
To:
Cc:

Dear friends,

Earlier this week, in response to a New York Times storydetailing how Facebook had used a PR firm to smear the Open Society Foundations and George Soros, I sent a letter to Facebook’s Chief Operating Officer, Sheryl Sandberg, which you can read below.

She followed up with a phone call yesterday and I appreciated the chance to speak with her and tell her that we need a thorough and independent inquiry on Facebook’s lobbying and PR work, and that the results should be made public within three months.

Our hope is to turn this disappointing moment into an opportunity for debate about how Facebook can be used to push out fake news and hate and the threat disinformation campaigns pose to democracy more broadly.

At this time of upheaval, uncertainty, and fear, it is imperative that the stewards of the world’s most powerful information platform act responsibly. We’re honored to stand with our grantees, partners, and friends—and we’re dedicated to making sure that the kind of destructive behavior outlined by the New York Times does not go unaddressed.

Sincerely,

Patrick Gaspard
President
Open Society Foundations

11/14/18

Sheryl Sandberg
Chief Operating Officer
Facebook
1 Hacker Way
Menlo Park, CA 94025

Dear Ms. Sandberg:

I was shocked to learn from the New York Times that you and your colleagues at Facebook hired a Republican opposition research firm to stir up animus toward George Soros.

As you know, there is a concerted right-wing effort the world over to demonize Mr. Soros and his foundations, which I lead—an effort which has contributed to death threats and the delivery of a pipe bomb to Mr. Soros’s home. You are no doubt also aware that much of this hateful and blatantly false and anti-Semitic information is spread via Facebook.

The notion that your company, at your direction, actively engaged in the same behavior to try to discredit people exercising their First Amendment rights to protest Facebook’s role in disseminating vile propaganda is frankly astonishing to me.

It’s been disappointing to see how you have failed to monitor hate and misinformation on Facebook’s platform. To now learn that you are active in promoting these distortions is beyond the pale.

These efforts appear to have been part of a deliberate strategy to distract from the very real accountability problems your company continues to grapple with. This is reprehensible, and an offense to the core values Open Society seeks to advance. But at bottom, this is not about George Soros or the foundations. Your methods threaten the very values underpinning our democracy.

I would appreciate the opportunity to discuss this matter with you in person, and to hear what steps you might take to help remediate the damage done by this deeply misguided—and dangerous—effort carried out at Facebook’s behest.

Sincerely,

Patrick Gaspard
President
Open Society Foundations

Back in education

I am back at the university studying full time twenty years after the last time I was in formal education.

There are some things that have changed since. I’m not lacking of confidence. And I have work experience on the subject. Did I think I would be an alien, at least a decade older than the majority of the students? Yes. And I can see some twenty years old students talk the theory but weak in joining the dots. Then there are exceptions, the smart ones. That put the hours in and build coherence across perspectives and layers. And the professors the Bank of knowledge of recalculations across parallel universes, the poets that make you laugh, worry, question, empower.

Do the 20 something year olds see what I see?

I’m emerged, taken, absorbed.

The weight of information is frying my brains, I can feel the heat emitting. I feel like a Nick Cave song. Poverty, testosterone, rebirth, death, crisis, grouping, introspection, self and sense check.
I can see again and with that I came to find a purpose for the frame I hold in my hands as I type.

Here are the shots from the first month in uni. After 20 years. Just as my memories from the first time, fading away in the distance, this somehow has poured new colours on to it.

Brazil, after Italy

I can’t even begin to imagine what it feels like for Brazilians.

Half will be sharpening their machetes while the other half are shuddering in terror.

This is the defining moment in contemporary history. Humans eating their insides, being fooled to put the blame on the most vulnerable, articulating things they are neither proud or representative of.

No excuses for fascists anymore. This is a true war and it will leave many souless bodies behind.