London Art Fair review

The London Art Fair is a unique opportunity to summarise what is happening in the high end gallery led art scene around the globe in that one year.

The collective in London hosted most of the main brand galleries representing mainly visual arts, with some sculpture and three dimensional work for sale, in the case where 3d was the only medium the artist worked in.

This year there were surprisingly a lot of trees, and in similar shapes. This made me wonder if there was a synchronicity between the artists but then again most of the works were made at different time frames. Yet the shape of the tree was prevailing over and over again.

Another repetitive feature was the cut out Victorian style book illustrations turned mini 3d landscapes. Is there a return to the kind of darkness that books enlighten through the imagination?

The artists that stood out are:

Elle Davies for the greenness of the forest shots. Did she go for the exotication of green spaces?

https://elliedavies.co.uk

Michael Ormerod for his American urban. landscapes washing out the impact of capitalism.

https://www.cranekalmanbrighton.com/photographer-category/20th-century-photographers/michael-ormerod/

Nicholas Feldmeyer for his stunning post apocalyptic digitally produced black and white landscapes.

http://www.feldmeyer.ch/index.php?page=290

Ian Berry’s jeans made 3d frame of Roosevelt Hotel.

http://www.ianberry.org

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Camden, for the soul

On the first chilly day of autumn, I walked out of the house for work to find my brain clicking into Camden cravings.

I’m not talking about the food options, the bashing vibes, the shopping or drinking ports.

That would be too much detail.

I’m talking about the warming feeling I get when I’m here.

In Camden Town, at sunset, on a crisp day. It feels like belonging, it feels like home.

I could climb under the cobble stones and sleep there for the night.

And wake up to crawl back up from beneath them, to see Camden in sunrise.