Andrew Baldwin’s open air metalworks automaton exhibits are warmly welcomed at a time when everything is in lockdown in London.
The playful sculptures, moving parts and colourful lighting tell fantasy stories, a parallel universe within deep winter’s energy of colourful skies.
Located in Trinity Buoy Wharf, earthbound figures matrix into a melting pot of sensations made in fairy tales.
Winter wonderland materialised.
Well here we go again, only this time things are a bit different.
In London, there are noticeably less people out after dark, but shopping malls and cafes are still serving take outs and grocery essentials.
This means the earlier photos from the lockdown in spring bear a significant difference to the way urban landscapes look now.
For example, there are a fair amount of labourers and cleaning staff going out and about their business as usual. Spaces look less derelict and more like Sundays before London got crowded millennium onwards.
In urban green spaces, people don’t consider being in fairly crowded conditions, a threat from covid anymore. Benches are open and cyclists have equal access to parks.
The level of interaction with larger crowds is a personal preference.
On a recent cycle with Simon around trendy Hackney Wick and guardian reader pretentious Hackney on Victoria Park, the crowds were heavily dense in many public play areas and entrances.
Away from the long queues outside to pick up coffees and take outs in places where some think it’s important to be at, our was certaintly picking a fish and chips from a good old reliable affordable local chippy just east of Victoria Park to the Wick.
No queues, no wait, no hassle. After a five minute walk, we were enjoying dinner on a bench in the park.
In my next blog I will write about meaningful ways to spend preparing for Christmas holidays and Christmas day itself.
Many get carried away with meaningless cultural traditions, missing the point. Culture can be as oppressive as American culture’s cultural non existence, when it adds no experiental reflection or mindful rest.
In a time of self reflection I couldn’t be luckier having met four days after landing back from a two month trip away early August 2019. And here we are still are today.
Back in the park, we sat watching the lowering sun introducing the mist, the temperature drop, the sensation of colours struggling to define themselves in this new reality.
I suppose this time, it is also the first time of the year’s season under covid for our urban neighbourhoods too. Well I say, we can only pay homage to this another new reality for the family albums to come.
Really, what’s there to complain about? And why not to?
After dark we have a blast
with flashlights in the night.
We play with the shadows
until daylight hides the sight.
Darkness becomes beautiful
with every flashlight sway.
The shadows are a form of art
where creative fingers play.
The wall is painted in the dark
and my hands make a design.
The sight of a duck or dog
are from the best of mine.
My fingers make much more
when I bend them into shape.
If the light fills the entire room
my masterpieces will escape.
The shadow’s are brought to life
in the darkness where it stands.
I control the beaming flashlight
that displays the art of hands.
by Shelley Williams
Noticing the small changes in the way the air’s scent carries cooking smells, perfumes and sound vibrations…
The light moisture chilling the edges off living things…
The light mist flowing through the land, thickening and lightening as it absorbs the wind.
Wood burning in the city, logs burning in the fireplace, smoke climbing up from canal boat chimneys into the gaps of the urban air channels.
The yellowy orange with blues of the sunsets and the sunrises. A sun blessed season eclipsing into the vibrancy of the next. Nature signalling for a final celebration before it returns next year in spring.
The cozyness of the orange, greys, dark purples, bronze and blacks decorating cozy corners energised by alchemy, alcohol and warmth.
The beautifully hearty returns, the summer burns, the endless moments outside… Here are the postcards from our summertime.
I grew up thinking of America as this homogenically superficial space fuelled by ignorance and ultra-arrogance imposed by the sound of mad dogs and gun shots in the background. A war within itself.
In the politics and economics of the past thirty years, the trajectory of individualism is a response to the controversy of sharing all, in post anti communism, Cold War era.
This skewed anti reality brewed the covering of the reduction of basic human rights, presented as anti-terror securities to the average folk, and messed up the minds and values of many alike. This was easily absorbed by a weak societal structure in the US that without free access to health, education or meaningful work opportunities, beyond the concept of self-sale, left people scraping by for the ‘mana’. The lack of cultural references, families or friendships providing emotional support systems can not be bought by insurance companies.
In adulthood, we are all paving our way on our own but the multilayered toxicity of American neoliberalism has easily spread a virus with the language of non sense – what people can’t understand conceptually, can’t analyse and therefore are open to manipulation, misinterpretation, abhorrent expressions – they don’t even make sense to those that speak of them.
Today, this translates into the extremist mini-anti-cultures surviving by a bashing each others’ existence in perpetuation.
Jamali Maddix got a few of them covered for Vice.
Bunches of incoherent folks at each other’s throats, caricaturing a very simple and singular dimension as a version of society. We can critique the social movements for not establishing fundamental change but they are not ripping cultures apart or marginalising what holds as a resource of existence to the average folk.
For many on the outside of US, the scene is hopeless and bleak. For many on the outside, we can’t help but romantisize for a mind shift by the immense phoenix like male figures that despite the union’s level of absence in communal conscience, they have held a string light for long enough to beam their connection with and faith in humanity and in hope for a realignment of the American dream. They have the knowledge that one’s resources are equally owned and interconnected by everyone on the planet. Physical and emotional cultural references matter, the intangible connections energise the common pool.
Ultimately, isolationists are believing that by fighting everyone off to protect their patch of land, they will not end up finding out they are fighting against themselves, which they know its not only unsustainable, but plain self destructive and stupid. Sum it up in the simple lesson of the flowers and the bees.
My gratitude goes out to the two American men that know too well where the concept of the American dream really can stem from and what it could really translate into in the daily routes of American self identification. It is a work that will take a generation or two, and these men hold the tortch for the way there.
Respect to Neil Young
Respect for Bernie Sanders
Here’s to another festival in the heart of Canary Wharf to brighten up our beautiful crisp winter nights.
Camera ready we walked around in semi freezing drizzle checking out the 20 something light installations.
Hope you enjoy them as much as we did.
Chefchaouen is the perfect day or weekend trip on your travels in Morocco.
Famous for the blue painted buildings, more recently featured on French Montana’s ‘Famous’ videoclip
https://www.youtube.com/watch?v=LNHkxOU7zz8 that was filmed in the souks and circular main road around the town sitting on the mountain side. The 33 year old moroccan-american artist is from the Casablanca and often pays tribute to his love for Morocco.
Back to Chefchaouen, the town is easily navigable by foot, but not wheelchair users, or for those with mobility difficulties. Built on the mountain side, souk and town streets climb up and down through the mountain curves, offering exquisite views over the town and the landscape beyond.
Chefchaouen is one of the easier villages to travel through Morocco. It is small enough to walk through in a day, and big enough that you can find another photogenic corner to help you on your dream-scape of what life may be like in the town, or in-fact to those that grow up in the alleys and buildings, protected by the elements and near everything else.
Here are some of the photos from our visit, we arrived on a cloudy and rainy day, yet it was also wonderful to see the town in non-postcard conditions, a different, and what felt more genuine side of life there. Rain gently encouraged us to go into the local cafe, not the tourist ones, and to get lost around the back streets to a school, trying to find a way through to the main square.
Chefchaouen’s location is equally impressive nesting on the mountain feet, reminds you of the perspectives on life which is so easy to forget when bouncing about between places in a city.
You could say Chefchaouen becomes the little blue light, twilight, dream-scape of adventure.