Every tourist and local love the view of Acropolis. The streets around the hill can get busy so here are some spots you can enjoy a cocktail, coffee, a romantic dinner or walk away from the buzz and hussle of the busy streets below.
Acropolis and Athens cityscape from Filopappou Hill. A perfect spot for walking amongst the trees, a short uphill hike to exclusive views over the Parthenon, Lycabettus and the city.
New year new start. Can’t help but look back a little, and yet remain grateful for today. Today I’ve gone back to Bethnal Green where I lived at for thirteen years. Bethnal Green is a strange yet warming place. If you were to look it up online, it looks quite grim. 2 up 2 down level terraced rows of workhouse housing, surrounded by loads of high rise social housing estates built in 1800s to the 80s dotted on every corner, with a through road high street. I must admit, I had some of the funniest and most learning times growing up here in my 20s and that’s purely down to a local and transient mix of people and pre war and post war architecture. Imagine in one day hanging out in a 1900s pub, a high rise tower block built in the 1970s, trekking on cobbled streets and through grafitti glad Victorian alleys. It’s pointless going into any detail on this as this is my story. But perhaps sharing these pics from today, will give the platform from which to imagine a constant of stories intertwined. From the housing flats, to the terraced houses, the odd patches of greenery, the mix of bengali, cockney, underground arty, and now poshy touristy and transient peeps, this is the Bethnal Green in 2022. Many will pass through and many more still remain. Yet, new year’s memories to come may remain similar to past.
Well here we go again, only this time things are a bit different.
In London, there are noticeably less people out after dark, but shopping malls and cafes are still serving take outs and grocery essentials.
This means the earlier photos from the lockdown in spring bear a significant difference to the way urban landscapes look now.
For example, there are a fair amount of labourers and cleaning staff going out and about their business as usual. Spaces look less derelict and more like Sundays before London got crowded millennium onwards.
In urban green spaces, people don’t consider being in fairly crowded conditions, a threat from covid anymore. Benches are open and cyclists have equal access to parks.
The level of interaction with larger crowds is a personal preference.
On a recent cycle with Simon around trendy Hackney Wick and guardian reader pretentious Hackney on Victoria Park, the crowds were heavily dense in many public play areas and entrances.
Away from the long queues outside to pick up coffees and take outs in places where some think it’s important to be at, our was certaintly picking a fish and chips from a good old reliable affordable local chippy just east of Victoria Park to the Wick.
No queues, no wait, no hassle. After a five minute walk, we were enjoying dinner on a bench in the park.
In my next blog I will write about meaningful ways to spend preparing for Christmas holidays and Christmas day itself.
Many get carried away with meaningless cultural traditions, missing the point. Culture can be as oppressive as American culture’s cultural non existence, when it adds no experiental reflection or mindful rest.
In a time of self reflection I couldn’t be luckier having met four days after landing back from a two month trip away early August 2019. And here we are still are today.
Back in the park, we sat watching the lowering sun introducing the mist, the temperature drop, the sensation of colours struggling to define themselves in this new reality.
I suppose this time, it is also the first time of the year’s season under covid for our urban neighbourhoods too. Well I say, we can only pay homage to this another new reality for the family albums to come.
Really, what’s there to complain about? And why not to?
I had just finished my exams, celebrated my birthday and got on a flight London to Seattle.
I found myself arriving at a 22 buck a night air bnb in Highline on the outskirts of Seattle with a quarter full suitcase and lots of time to absorb my new home, write my dissertation, and quickly explore the city in five days before catching the greyhound to Portland.
I loved where I was staying instantly. A wooden structure, shared between three of us, just the right dynamics of chats, learning about our differences and expectations en transit, keeping sweet vibes throughout and respecting each other’s time needs and privacy. I loved waking up surrounded by the alpine greenness of pnw. Got my Orca loaded, and picked my daily trips between jumping on the 35min bus journey to the city centre, or 35 min walk to the coast.
Seattle is where my journey begun, and where it ended.
I got caught on the rising tide on a private beach, I studied in the most quaint little library in Fremont, strolled in unexpected familiarity up and down University Way and experienced the awe of Japanese tourists in Suzzallo and Allen Libraries the setting of some of the Harry Potter scenes.
Seattle is the uber cool without the forced coolness. It is grounded, down to earth, green, gorgeous, creative and blatant.
I couldn’t have ever imagined Seattle would have made such a fundamental mark and given me so many beautiful memories from this two month trip, and without sparing any important details, I couldn’t have asked for more.
Other than to return, again and again to soak up the atmosphere before I move on again.
I would like to start this blogpost acknowledging this has been one changeable mood kind of a month.
It begun in semi frustration and acceptance: this is what we need to do and we commit to it. Blindfolded into commitment, no questions asked. Then days, then weeks passed. The exhaustion of changing habits in and out of home. The disappointment of realising you can’t walk into this pub, or straight into the shop, they are either shut, or there is a queue. You can’t hug your friend or pat the back of your neighbour. And that cycle route you always thought as the best, is out of bounds, too many runners using the tow path and daddies training their little ones to cycle. So forced into rediscovering your vicinity in new conditions, you get to become the tourist again, and that is cool.
Then the important stuff happening unnoticed until you think there’s value in the time you have saved from travelling and all the social stuff you can no longer do. So talking to friends and neighbours you end up rocking up to a community space in a church build on the ruins of one that was built in the 1600s, thinking you’re not the religious type but there are enough Muslim kids and white working class families about to take the edge off.
Next thing you’re committed and talking to new people. That guy is familiar, of course he is in and out of my block, and we chat, I hear the news and off we go.
Those who are organising everything, early on in the outbreak, with little knowledge of the impact yet without hesitation, they set up shop quickly. They asked and got donations, listened unjudgmentally to the community’s input, and attracted people of all ethnicities and faiths to help. They reassigned resources quickly. The initial food was delivered to 40 odd people three times a week and now it has grown to double of that.
Today, the last day of April feels like a halfway point on a long holiday. It’s been thrilling, confusing, too long, too short, too busy, and now seems to be going too fast and to be true, I don’t want it to end yet, but I do want to be able to make plans for the future.
Somehow the reality is: I can’t, and none of us can.
As we will gradually re-enter a version of normality in the coming months, there will be plenty of vulnerable people who will still not be able to leave their home. This help will not stop with our needs being met, and not until they have their fully met. It has been challenging at times running up and down unfamiliar estates, motivating oneself to get out, cover up, do your deed, run home, take everything off, clean everything, shower. Yet it’s been worth it. The smiles, the chats, the waves, the odd requests, or the kind wishes and offers. It all makes it so special.
This month has also been one where I covered nearly 200km cycling. It’s not a lot, however in addition to my training, and the bursting energy of spring colours and smells, there was plenty of visual richness to record.
The blog and the photos are dedicated to the community leaders, and those who need their swift action. They are being both my inspiration and motivation throughout the past six weeks and the very out of the ordinary month of April 2020.
Even more so, this month I hope does not go by forgotten. Everyone has been affected by it and I purposely included the empty canary wharf development. No one is immune to this and I hope this chance for a level playing field is finally grasped like the breath of fresh air we so much need.
Restricted images hide a story. Retelling the story by slicing away the margins is how tabloits make headlines. The most extreme, the better. It may not make sense, but the readers’ shock deters them from revisiting and unpacking the reality.
This introduction of new journalism made it into our every day lives. It trimmed the stories to polarising and accusatory as the norm.
For example, see this image in its entirety.
What information does this image contain that is useful to you? The path, the river, the people in the distance, the dog, the season. Is the dog seeking your attention by waiting on you?
Now, what story does the image below tell?
Consider your first thoughts looking at this image. Is the dog angry, about to react, or playful, is the ground cold and wet?
The second story has dramatised the narrative by removing useful information that would have told the story in all its complexity. It automatically polarised understanding by simplification. The narrative is cut short and the story is left for the viewer to interpret.
Now imagine the text defining the already minimised story.
Dog stares before it runs away, or attacks.
Greying dog lost in the winter.
By doing so we have already disassociated the image from the reality.
Next time you see a close up in the news, ask yourself, what is the purpose of such trimming and what are you missing out in terms of information.
Photography is a gift of storytelling. Butchering details, however insignificant they may appear, is a political decision made by editorial professionals serving singular story telling.
You don’t have to consume what is given and to enrich your understanding ask the questions that can better inform you.
I went to the UK launch of the Judy & Punch movie at the Picturehouse Central near Picadilly Circus.
The event had a live puppet show and actors portraying the audience husslers you’d get in the 17th century pre show crowds.
Drinks flowing, the pre movie event was comic, dark and intense with high pitched call outs and bashing noises, floating between comedy, with hints of tragedy, to fairy tale like medieval perkiness.
Now onto the movie.
Set in the mountain village of Seaside, the scenes are made in 17th century English/western European surroundings with a forest, unwavering views over the mountains and further away and filled with all the weird and wonderful characters you’d find in the dark streets of London mid century.
The story of the name Seaside goes like that. The villagers believed the sea would rise to near the top of the mountain, making their village a seaside settlement. They went on as far as building boats, which coincidentally and comically the housekeeper of Judy & Punch wonders what happened to them.
The script takes you through the success of a puppeteer couple who have returned to Seaside after the money and drink thirsty husband burned through their earnings from the big shows in the Big Smoke.
They start very successful shows at the village, waiting on the day talent spotters will come through and open up a new chance for a show in the city.
Whilst all of this rolls out, the husband keeps on failing. Whilst the wife (Judy and female puppeteer) goes out for the day, he gets drunk, nearly forgets a crawling baby to the fireplace, chases a dog for stealing his breakfast sausages and trips over throwing the baby out of the window into the dense thick forest down the mountain.
The wife returns (Judy) and the fight kicks off where he leaves her for dead in the forest. Nearby travellers/White witches find her, bring her back to health and before they move on their next journey, go back to the village to tell some truths about Mr Punch, who is about to hang the elderly housekeepers to clear his name of his wife’s and baby’s disappearance.
I won’t spoil the finale. From second to second I couldn’t predict what would happen. All I can reveal is that’s the first movie that I watched mesmerised without noticing how the time went past.
Go check it out for yourself and tell me what you think.