What converting Hagia Sophia into a functioning mosque really means

10th July 2020, a Turkish Court order approved Hagia Sophia’s convertion from a museum to an operational mosque.

For many Christians around the world, aborting a historical monument that represented the centuries of Byzantine Eastern Orthodox with Ottoman faith-inspired culture in the region, to having it reclaimed as a faith space for Islam, is a vilifying act of disrespect. The region has been affected by territorial tensions for millenia and many in the Balkan and Western Asia Minor, have experienced relocations, marginalisation, faith based extradition, torture and incarceration.

It is a non surprise western Turkey struggles with their record on human rights abuses, and corruption has been developmental to the Greek economy even in modern times.

Looking past the historicity of the region, and the unsettled air Erdoğan’s latest move has created, I can attest to the following:

– Erdoğan has three years left before the next election.

– The Hagia Sofia move was his check mate to Europe beyond the Greco-Turkish spats.

– Erdoğan doesn’t want to join EU (and all the monitoring and regulations), the EU will not have Turkey as it is today, but to make sure they don’t interfere, he needed to growl over his territory.

– Putin will turn a blind eye, despite Russia’s Orthodox Church affinity. Faith is only useful when it serves one’s interests by masking transparency. Christian links to the European church history are problematic for Putin’s and Erdoğan’s dark and underhanded populist and divisionary operations.

– Unmonitored, anyone challenging Erdoğan like the Kemalists, will end up in jail or dissappear.

– Turks in Turkey, Germany and the UK love Erdoğan. He took power and water to the favelas. He is making profits from the Syrian refugees that have no labour rights but plenty of will to do whatever yet not get paid or paid scraps of peanuts when they do (a 10th of the Turkish labour rates according to reports).

Noone wants drama on their doorstep. Turning adversity to positive stories is a way for populist governments to get away with the uttermost abuse of human rights.

Minorities and culture are the capital nasty regimes use for political coercion.

Coercion to domestic opposition, and coercion in international relations contexts.

Threatening securities makes vulnerable populations anxious and puts actor resources at high risk and alert. This costs actors money and make populations more predatory between them. Double win.

Hagia Sophia is the starting line of an incredibly narcissistic performance we will expect to see from Erdoğan in the next three years.

I can only hope there will be limited loss and blood lost in the process, but not set on having any hopes at this point.

In the middle of a pandemic, reclaiming a museum to a faith institution is a bold move.

To be continued…

British Election pun

Cousin no. 1: what did you vote for?

Me: the ecologists

Cousin no. 2: the sexologists, both are biological

Me: 🤭🤫

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I live in Tower Hamlets and in the poling station queue I could tell which was the one guy that voted Tory.

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Me at the Radisson Blu polling Station:

I remember now why we were here on our date last month.

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If you had a choice between two PMs which one would you choose?

: Corbyn, he’s more disillusioned to Bojo.

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Exit polls:

Good evening the weather is looking very unsettled in the following days.

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Rich kids go skint?

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9pm exit poll: Shutter Island

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Bercow on Sky News: Order!

Me (in thinking bubble): waiting to hear something funnier

Bercow: spare us the theatrics

Me (in thinking bubble): you got it

Bercow: The state of my throat which is very temporary is not down to the consumption of a gangrenous testicle.

Sky news: what are you going to do now you are out of politics?

Bercow: have some fun

Me: mic drop

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#youthquake

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Glasgow door incorporated. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Fact: Jo Swinson still knocked on that door 😭😭😭

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Judy & Punch film preview – spoiler alert

I went to the UK launch of the Judy & Punch movie at the Picturehouse Central near Picadilly Circus.

The event had a live puppet show and actors portraying the audience husslers you’d get in the 17th century pre show crowds.

Drinks flowing, the pre movie event was comic, dark and intense with high pitched call outs and bashing noises, floating between comedy, with hints of tragedy, to fairy tale like medieval perkiness.

Now onto the movie.

Set in the mountain village of Seaside, the scenes are made in 17th century English/western European surroundings with a forest, unwavering views over the mountains and further away and filled with all the weird and wonderful characters you’d find in the dark streets of London mid century.

The story of the name Seaside goes like that. The villagers believed the sea would rise to near the top of the mountain, making their village a seaside settlement. They went on as far as building boats, which coincidentally and comically the housekeeper of Judy & Punch wonders what happened to them.

The script takes you through the success of a puppeteer couple who have returned to Seaside after the money and drink thirsty husband burned through their earnings from the big shows in the Big Smoke.

They start very successful shows at the village, waiting on the day talent spotters will come through and open up a new chance for a show in the city.

Whilst all of this rolls out, the husband keeps on failing. Whilst the wife (Judy and female puppeteer) goes out for the day, he gets drunk, nearly forgets a crawling baby to the fireplace, chases a dog for stealing his breakfast sausages and trips over throwing the baby out of the window into the dense thick forest down the mountain.

The wife returns (Judy) and the fight kicks off where he leaves her for dead in the forest. Nearby travellers/White witches find her, bring her back to health and before they move on their next journey, go back to the village to tell some truths about Mr Punch, who is about to hang the elderly housekeepers to clear his name of his wife’s and baby’s disappearance.

I won’t spoil the finale. From second to second I couldn’t predict what would happen. All I can reveal is that’s the first movie that I watched mesmerised without noticing how the time went past.

Go check it out for yourself and tell me what you think.

Seaside shenanigans at the Judy and Punch preview at Picturehouse Central, London