Judy & Punch film preview – spoiler alert

I went to the UK launch of the Judy & Punch movie at the Picturehouse Central near Picadilly Circus.

The event had a live puppet show and actors portraying the audience husslers you’d get in the 17th century pre show crowds.

Drinks flowing, the pre movie event was comic, dark and intense with high pitched call outs and bashing noises, floating between comedy, with hints of tragedy, to fairy tale like medieval perkiness.

Now onto the movie.

Set in the mountain village of Seaside, the scenes are made in 17th century English/western European surroundings with a forest, unwavering views over the mountains and further away and filled with all the weird and wonderful characters you’d find in the dark streets of London mid century.

The story of the name Seaside goes like that. The villagers believed the sea would rise to near the top of the mountain, making their village a seaside settlement. They went on as far as building boats, which coincidentally and comically the housekeeper of Judy & Punch wonders what happened to them.

The script takes you through the success of a puppeteer couple who have returned to Seaside after the money and drink thirsty husband burned through their earnings from the big shows in the Big Smoke.

They start very successful shows at the village, waiting on the day talent spotters will come through and open up a new chance for a show in the city.

Whilst all of this rolls out, the husband keeps on failing. Whilst the wife (Judy and female puppeteer) goes out for the day, he gets drunk, nearly forgets a crawling baby to the fireplace, chases a dog for stealing his breakfast sausages and trips over throwing the baby out of the window into the dense thick forest down the mountain.

The wife returns (Judy) and the fight kicks off where he leaves her for dead in the forest. Nearby travellers/White witches find her, bring her back to health and before they move on their next journey, go back to the village to tell some truths about Mr Punch, who is about to hang the elderly housekeepers to clear his name of his wife’s and baby’s disappearance.

I won’t spoil the finale. From second to second I couldn’t predict what would happen. All I can reveal is that’s the first movie that I watched mesmerised without noticing how the time went past.

Go check it out for yourself and tell me what you think.

Seaside shenanigans at the Judy and Punch preview at Picturehouse Central, London

Have you ever begun something blindfolded?

So you know how things go. You are flowing by with studies, work, friendships, relationships when something new gets introduced to your routine. It starts as an off beat recommendation, and whilst you’re not doing anything else that’s specifically central or significant in your life, you join in on the flow of this new thing in life.

Then weeks go by and despite hesitations because of other well established patterns in your life, you find yourself making more space for this new thing. Then you need to sense check, so you pull away, dismiss it, and there it goes it pops up again seeking your attention.

So you start thinking, what to do. Time invested means previous patterns are being challenged, smoked out, and you’re still unsure if it’s a fluke or will stick around for a while. And then more time goes by and it is still there. Sometimes it feels annoying, tiring, unbalanced, but you realise like with most things settling into a new job, relationship, friendship, hobby is an ongoing process of exploration.

And then the penny drops; your commitment to keep exploring is the juice of life, and as long as you don’t get stuck in a tunnel vision, the scheme of things will keep on evolving and merging with who you’ve become.

The history presented, a narrative of Oregonian development

Just visited the Oregon Historical Society, where the disappointment turned into contempt and anger.

A state with around 200 years of history.

The first thing that I noticed is how everything was presented as a story of ‘doing’ instead of a series of histories emerging in equal importance on the narrative of what is new America.

The natives, the African Americans, the Asians presented as sharing the same space in an assumptive scenario that puts them in the otherness of America’s existence.

No narrative of their histories, just the acknowledgment they exist.

The pioneers who made this land in the forefront. The dislocations of indigenous people to securitize vast areas of land. The securitization agenda in its earliest form.

Securitise from what? This word serves the interests of those who are pursuing the agenda without equitable considerations for those marginalized in the process.

A history of half-hearted stories, incomplete narratives, equalization said but not existing in any form or story in real life.

The marketization of ideas, becoming ideas in themselves and accepted as currency fueling development, without any fundamental structure for emerging cooperation.

Forcibly changing a world that doesn’t want to change and presenting it as de facto.

I can dig a thousand words to describe the disappointment in American history. Mostly, because whoever took the lead in making this the common reality, had not thought through all they lost in the process of focusing on the small detail of the multiplicity the size of land has offered them.

Agrarian change for who, and to feed who?

The land of the amble, producing less for less.

The establishment of fake stories as a level of understanding of what might have been better imaginable.

 

 

 

Reno International Dance Expo 2019

Tim Weinzirl, June 2019


The Reno International Dance Expo made its inaugural debut at 
the Grand Sierra 
Resort in Reno, 
Nevada, USA 
over May 10-12.  
The event was 
hosted by the 
world-famous 
Rodney "Rodchata" 
Acquino (http://www.rodchata.com/).  
This was primarily 
a bachata festival, 
though salsa, kizomba, 
and zouk were also featured.

rdxposter

The weekend opened 
with a preparty 
on May 9.  
Early arrivals 
were able to 
mingle 
with each other 
and 
the instructors.

From Friday to 
Sunday, there 
were daily workshops taught 
by 40+ instructors 
from four continents. 
Attendees of the 
preparty met the instructors early 
and 
could better 
navigate 
the multiple 
parallel 
workshop tracks.

My favorite instructor 
was Marcela Cardenas 
of Sweden.  
Her Saturday class 
was about how to 
be a better leader 
in bachata.  
She likened the 
hand-hold 
connection 
between the leader 
and 
follower to a 
joystick in a 
video game; the 
position of 
the arm tells 
the 
follower 
what to do.  
This is useful 
for steering 
the follower 
forward or backward, 
as shown in the 
figure below.

marcela-forward-backmarcela-forward-back

Marcela also 
emphasized 
the importance 
of the leader's 
firm connection 
with the follower's shoulder blade, 
such as in circular movements.

marcela-around

One of the most 
popular classes 
was the Saturday 
bachata session 
by Alex and Desiree. 
Below is a photo 
from the class.

classes-alex-des

The pool party 
happened on 
Saturday afternoon 
at the Grand Sierra's 
large outdoor pool. 
Below are some pool 
party photos.

pool-montage

On Friday and 
Saturday night 
were performances 
by amateur 
and world-renowned professionals. 
Below are snapshots 
from my favorite performances.

perf-montage

Photo above: In clockwise order, the performers are Anthony & Carla of Spain(dancing bachata), Alex & Desiree of New York (dancing bachata), Alejandro & Erica of Los Angeles (dancing bachata), Marcela Cardenas of Sweden (dancing bachata), Alex & Kim of San Francisco (dancing salsa).

Finally, and most

importantly, social

dancing took place in
four separate rooms

(salsa, bachata,

kizomba, zouk) until

6am.
The guest instructors

did a great job dancing

and interacting
the social dancers

throughout the night.

social-montage

Photo above: A sample of the social dancing.
Bottom left: Alex and Desiree leading a late night line dance.
Bottom middle: Alejandro and Erica dancing.
Bottom right: Marcela Cardenas is dancing with a lucky guy.

Based on

crowd reaction,

this event was

a huge success.

The party resumes

next year, May 15-18, 2020.
Passes are already

on sale at http://www.RenoDanceExpo.com.

Within 48 hours of

passes for next year

going on sale,
over 20% of the attendees rebooked for next year.