Andrew Baldwin’s open air metalworks automaton exhibits are warmly welcomed at a time when everything is in lockdown in London.
The playful sculptures, moving parts and colourful lighting tell fantasy stories, a parallel universe within deep winter’s energy of colourful skies.
Located in Trinity Buoy Wharf, earthbound figures matrix into a melting pot of sensations made in fairy tales.
Winter wonderland materialised.
In one of my last dissertation supervision sessions, my supervisor asked me which animal species are thriving at present?
I took a couple of guesses none of which were right.
I was trying to join the dots between his question and my dissertation topic, which was a comparative study between the political economy of the Sami and the Inuit. I just couldn’t see where he was leading onto.
Jonathan went on to say it is the squid. And the reason for it, is that whilst fishing has focused on other species, the squid had the opportunity to multiply in swarms.
He went on to explain that the obvious answers are not always the correct ones. I suppose he was trying to tell me by focusing on one thing we assume as the path to survival, there are emerging occurrences we leave unnoticed.
I since then took to noticing squid more often.
Walking down SE Division Street. Portland, OR, past Whiskey Soda Lounge with Tim, I took this.
In one way, the story is that of silver linings behind a cloudy day. We are seeing changes to our lives that we have not entertained in detail of how they will be affecting our emotional needs and resilience.
Making a smoothie cocktail with Craken is my resilience recipe for the odd night now we are spending a lot more time at home. And enjoying it over a long video chat to the wee hours of the day.
We know in times of uncertainty there are certain parameters we can measure against, and work towards, to meet those needs.
Our needs are not only our own. They are universal values our humanity exists by. When these are threatened, or placed in new unfamiliar conditions, there’s a couple of things we can do to refocus.
The top ten commandments of emotional needs are:
Meaning & purpose
The overarching point I see across the list of emotional needs, is intimacy.
Intimacy in a non sexual way.
But the space where two people connect over a unique shared experience that rings emotions of belonging, and trust, for both of them.
We are all interconnected. Even at times when we may feel that life becomes unfamiliar, rather than trying to regain a sense of control, our biggest strength may be in our capacity to reflect, learn and evolve.
I don’t know much, but situations like today’s offer a unique chance, that of a lifetime, to improve and rejoin community with renewed values of what we need and how to approach what we have and what presents itself before us.
With Valentine’s around the corner, here is a fond selection of songs celebrating falling in love, all over again.
Hold on to your close ones, cuddle up and shake it all up. Life’s too short for holding back.
Enjoy the vibes…
David Gray “Please forgive me”
Jason Derulo “It girl”
Etta James “At last”
Roberta Flack “First time, ever I saw your face”
Ellie Goulding “Your song”
The Cure “Lovesong”
The Temptations “My girl”
Neil Young “Harvest Moon”
Intro by blog owner:
Everyone should read Nick’s beautifully empathetic, humility fuelled, comicly crafted answers, coming from a big pool of love for his fans.
I first encountered his music as a punk/gothy teen at the Rebound club in Athens and my mature years had me thinking he needs to grow up and out of the pool of self-absorbsion and then his son died, and that was the fundamental lifetime event that I perceive when he did. We so need loss of life to define our reality and reconnect us with life again.
ISSUE #59 / SEPTEMBER 2019
My girlfriend, a woman I love through soaring heaven and table-flipping hell, refuses to read any of my writing because she always sees some hint of infidelity, resentment, or perhaps madness in it. How do I get her to understand that just because I might write a poem about some lusty girl I saw on the train I don’t actually want to sleep with another woman?
CIRCIUM, COLORADO, USA
Tom Waits famously wrote “You are innocent when you dream”, yet dreams are not nearly as innocent as they seem. Neither are songs nor poetry. Songwriting and poetry are perilous callings, full of intrigue and infidelity. They are covert undertakings that creep around our deepest and most hazardous needs. They are not for the squeamish or the eager to please.
I believe you when you say you don’t want to sleep with the ‘lusty girl on the train’ – the problem is what you want to do is actually worse. You want to write a poem about her. To write a song or a poem about another human being can be one of the most intensely intimate acts a person can perform, it is an act of profound, unblinking contemplation, a near religious meditation on that moment of carnal recognition.
Listen to Patti Smith’s version of ‘Gloria’, where she has taken Van Morrison’s already wolfish classic and expanded it into a supercharged religious rumination on lust.
I look out the window
See a sweet young thing
Humpin’ on the parking meter
Leanin’ on the parking meter
Patti Smith’s ‘Gloria’ is not concerned so much with the actual sexual encounter, but rather with the brutal carnality and religious ecstasy of language itself. It is one of the most demented displays of predatory sexual desire ever recorded. Yet, it is beyond sex. It is even beyond worship. It is poetry. The “sweet young thing” that is “humpin’ on the parking meter” is your “lusty girl on a train”.
Gloria, Peggy Sue, Billie Jean, Angie, Delilah, Fernando, Jolene, Ruby, Maggie May, Chuck E., Sharona, Sara, Suzanne, Sweet Caroline and, indeed, Deanna – these names live on, as sacrificial lambs, compulsively sexualised in our collective consciousness.
My song ‘Deanna’ was seen as a particularly brutal act of betrayal, and thirty years on I still haven’t been fully forgiven. I console myself with the thought that I was unflinching in my duties as a songwriter and in doing so wrote a song that brought joy to the lives of many, even though it broke a heart (or two) in the process.
From one wordsmith to another, and from someone who has spent a considerable amount of a long and contentious career in the songwriter’s doghouse, that’s the name of the game, Circium. Harsh as it is, we spend our lives walking on the hearts and messy eggshells we have smashed in order to make the omelet that feeds the multitudes.
I can perfectly understand why you want your girlfriend to read your stuff, as we poets and songwriters often have little else to offer than our words, and of course our perverse little truths. However, your poems are intimations of an eroticized and imaginative adventure of which your partner is excluded. It’s little wonder she might be reluctant to get involved.
Having said that, over time I have discovered great poetic and personal value in writing about the familiar, that which is in front of you, that which you see every day, that which sleeps beside you, for often that quotidian presence is the most extraordinarily complex and dangerous thing of all. It holds a looking glass up to beautiful and terrible truths that live inside us. As we look into our lover’s eyes and see our reflected selves, our courage as writers is tested and enlarged.
The girl on the train will always be there, forever travelling through that imaginative space, but maybe the challenge for you as a poet lies within the intricate wonder of the one who sits before you. She is, after all, your mirror.
Everyone has that one song they go to for a reflection of their innermost feelings.
Mine is Esmerelda by Ben Howard, the video in particular.
The waves unrolling back in reverse is what gets me every time. It may be for the symbolic value of rolling back time and rediscovering today’s desires by the method of review.
The moving images are taken in the winter, the British winter many complain of. As a surfer, Ben Howard is staring at the swells as he would have done at any other season, reflecting on the conditions, the possibilities. The weather is not a hindrance, but an opportunity for assessment. A million components pulled together; I could ride that wave, I know I can, I can do it this way or that way. Maybe I will come back to it, maybe I will sit it out, watch it and leave it to perform before my very eyes.
The solitary imagery of Howard looking out from the cliff’s edge over the treacherous weather, is a message of renewal. Emerged from the knowledge that majestic moments happen in the most apparent challenging conditions. Our method and approach is the liberating experience emerging from what is on offer. A source and direction of energy that pulls the surfer to float on the surface is also defined by the surfer’s point of letting go and diving into the water when conditions become too much. These are not polarised experiences of bad or good, of success or failure, but of a journey of becoming one with nature, embracing it and re-establishing our relationship with it as our home.
Theorists have made the case for connecting with our histories in our pursue of conserving our natural habitat. Mythologies of Homer’s Odysseus seeking his Ithaca, and the realism of Caribbean slaves fishing out in the open waters on Atlantic Ocean’s edge have required an intertwined interdependent relationship with nature and its elements. The thousands of Syrian refugees drowned in the Mediterranean Sea escaping conflict. The skill of ‘reading’ nature and floating decisions under different communication needs, on the nexus with the changing elements, is part of the human condition that can not be aborted.
There are thousands of individual journeys to Ithaca, Caribbean fishermen and surfers connecting with nature in that way. The sea is a pool for everyone to explore their search for a home.
Ray phoned up three days ago. We realised last time we saw each other was in November last year. A year ago, when I was frantically settling into postgraduate writing, him chatting away as I was writing one of my assignments. Then a brief discussion early in the year about our concerns for a friend.
Two weeks ago, I got an invitation to someone’s retirement drinks. Didn’t know what to expect, some old souls, maybe not. I was going to go anyway. Then Ray’s call meant he also joined in (he also associated with the retiree the same years I did), and to my surprise he went on to the next level dropping emails to some peeps from our then years.
I picked him up from his studio and we headed to the working men’s club in Bethnal Green, not knowing what to expect.
There were lots of familiar faces in there. More than we expected and lots of peeps we were really close to ten years ago or so.
Most of us were more or less the same but some material changes and a comfort you find in your own skin as you grow older.
My good pal complained about someone missing. I dismissed him saying that person would never turn up.
Then catching up with my old girlfriend and rusty soul, I turned around and the double take clicked me into frame. Our pal had turned up and I was so freaking happy to see him, give him a big hug and chat in all his awesomeness and full on honesty about how things around have been making us feel.
Walking back with my girl to the bus stop we reflected on how the night went. Our fears, uncertainty of what to expect after all these years and yet how grounded and sorted things felt.
We did pick a bone with someone, which was funny, and was extended with ‘well we’re all here now’ and a big hug.
That’s my take away from the get together. No words, promises, expectations or plans. We got together, each to our own, and found each other.
I went to the UK launch of the Judy & Punch movie at the Picturehouse Central near Picadilly Circus.
The event had a live puppet show and actors portraying the audience husslers you’d get in the 17th century pre show crowds.
Drinks flowing, the pre movie event was comic, dark and intense with high pitched call outs and bashing noises, floating between comedy, with hints of tragedy, to fairy tale like medieval perkiness.
Now onto the movie.
Set in the mountain village of Seaside, the scenes are made in 17th century English/western European surroundings with a forest, unwavering views over the mountains and further away and filled with all the weird and wonderful characters you’d find in the dark streets of London mid century.
The story of the name Seaside goes like that. The villagers believed the sea would rise to near the top of the mountain, making their village a seaside settlement. They went on as far as building boats, which coincidentally and comically the housekeeper of Judy & Punch wonders what happened to them.
The script takes you through the success of a puppeteer couple who have returned to Seaside after the money and drink thirsty husband burned through their earnings from the big shows in the Big Smoke.
They start very successful shows at the village, waiting on the day talent spotters will come through and open up a new chance for a show in the city.
Whilst all of this rolls out, the husband keeps on failing. Whilst the wife (Judy and female puppeteer) goes out for the day, he gets drunk, nearly forgets a crawling baby to the fireplace, chases a dog for stealing his breakfast sausages and trips over throwing the baby out of the window into the dense thick forest down the mountain.
The wife returns (Judy) and the fight kicks off where he leaves her for dead in the forest. Nearby travellers/White witches find her, bring her back to health and before they move on their next journey, go back to the village to tell some truths about Mr Punch, who is about to hang the elderly housekeepers to clear his name of his wife’s and baby’s disappearance.
I won’t spoil the finale. From second to second I couldn’t predict what would happen. All I can reveal is that’s the first movie that I watched mesmerised without noticing how the time went past.
Go check it out for yourself and tell me what you think.
It’s been a little of a tough time getting my head straight at a time of mega manipulation between a bunch of friends.
When someone constantly blames others, is interested in cheating dynamics, makes propositions outside core values and challenges common trust, directly or indirectly, despite how much you think the one receiving the short end of the stick cares about the other person, don’t they need to care more about themselves?
If someone tells it’s exciting to see others cheat, aren’t they laying the path to their own destiny?
If someone has abused and manipulated before, if they are stuck in the same low vibration, wasn’t it inevitable they would drag themselves through the mud again?
The toughest part of it is that peeps can see it from the start, and through breadcrumbing, they think it is not as bad, in fact they fool themselves to believe it may even be getting better.
My life experiences taught me one thing.
You know your gut instinct. Give as much as your soul can, keep your wits doing so and observe. If not much changes, and all you get is small words and smaller actions, you got your answer.
Love yourself and find someone who loves you as much.
So you know how things go. You are flowing by with studies, work, friendships, relationships when something new gets introduced to your routine. It starts as an off beat recommendation, and whilst you’re not doing anything else that’s specifically central or significant in your life, you join in on the flow of this new thing in life.
Then weeks go by and despite hesitations because of other well established patterns in your life, you find yourself making more space for this new thing. Then you need to sense check, so you pull away, dismiss it, and there it goes it pops up again seeking your attention.
So you start thinking, what to do. Time invested means previous patterns are being challenged, smoked out, and you’re still unsure if it’s a fluke or will stick around for a while. And then more time goes by and it is still there. Sometimes it feels annoying, tiring, unbalanced, but you realise like with most things settling into a new job, relationship, friendship, hobby is an ongoing process of exploration.
And then the penny drops; your commitment to keep exploring is the juice of life, and as long as you don’t get stuck in a tunnel vision, the scheme of things will keep on evolving and merging with who you’ve become.