Bath and Wiltshire

So I decided to pull this guide together after having visited Bath and the wider Wiltshire a number of times over the last two years, visiting friends who moved there from London, for a change of lifestyle.

Wiltshire is a true representation of rolling English countryside, opening up to create the setting for the landscape of fields further afield in Devon and Cornwall, and to the end of the land of the British Isle. Scenic drives, quaint old cotsworld like villages dot the landscape, however note these are increasingly interrupted by new housing developments.

The area is knows for its afluent resident demographics. Housing is as expensive as it is in London, and Bath is a catwalk of contemporary design options, found in inoffensive gorgeously lit boutique shops. There are a lot of options to choose from, and an equal amount of cafes and foodie options to satisfy the pickiest of the souls out there.

Some of my favourite moments are both in Bath and the surrounding Somersetian countryside. When I get there, on a Friday, we head for the Star, the only – I believe – authentic pub, a mix of old and new, music or not, regulars and all embraced in a coffin shaped building. The walk there is equally cool, strolling past residential windows of yellow brick roman dwellings, sitting on the rustic raised walkway above the passing traffic passing below.

On days out, more recently I discovered Corsham. The walk through the tiny village, or the walk of the green space outside the stately home, are true to form of cutiness. The home itself and the gardens are architectural highlights so pick based on the season, trusting both will be a very rewarding experience.

Castle Combe is another little wonder to check out. I loved the walk from the car park to the village itself, hanging branches of tall trees canopying over the road. Prettily decorated door fronts, stone buildings, stone brick bridges, and water streams would have you thinking you are visiting Smurf land. It is not too far off that, hoping no offense caused by this description.

My earlier experience of Wiltshire was visiting Avebury stone circle. If you haven’t, this is a piece of british ancient history that equals Stonehedge. Avebury stone circle is the largest, with a village in the middle of it, supported by numerous super natural stories. I think my dream home is also in that village. Walk around the circle, but also do go for a walk through the village. I am sure you will get lost.

Box is known for the train tunnell and Thomas the tank. There is an underground town down there built out of sight to evacuate local residents on occassion of need.

Devizes has an eerie story of its own. The Black Swan is known to harbour ghosts of past times, and I did stay in room no 4 where numerous signtings and disturbances are known to take place. I must say I did not enjoy neither slept much and things happenned that I can not explain. The landlord soon sold the pub and moved on, like many others. However can’t fault the pub food and the atmosphere – warm, cozy and lively.

Devizes is also known for another trouble – that of its locks. If you own a riverboat, you will know the ladder of locks one has to wait through to get one side to another. A friend that did it told me that it took them around 9 hours to do Caen Hill. Not a feat for the lighthearted boat dwellers.

There is a lot more to see in this wonderful area however I will leave you with these pointers to begin with. I am sure you will be soon returning for more.

Poverty, extremism and art. Where do we go from here?

Many days in the past two years I have woken up with the feeling we are living in parallel universes. Politicians continue to offend sensibility on a daily basis, polirising public opinion, whilst we stand aside watching on, the theatre of the insane. Our reality has become not too different from the Hunger Games, or many apocalypse-in-process themed movies.

Since Brexit, Trump being voted in, Putin and Erdogan, the troubles in Venezuela, Congo and Honduras to name a few, it is apparent that politicians aim to hold onto power, often to further their personal financial interests, on a wage funded by tax payer’s money.

Having gained power with dubious populist campaign sentiments, these politicians have also grabbed power with well versed catch-phrase marketing, tricking electorates with empty promises, whilst reducing their rights, and further pushing them into poverty.

However we have also seen the popularity and rise of progressive movements through the mist of this adversity. These have sown the seeds of change, pushing back on the dark principles of those autocrats. #metoo, #timesup, #FBPE and reports from non governmental organisations such us Doctors of the World, Human Rights Watch and Global Witness among other, have exposed witnesses in the political system, corruption, and promote accountability.

In London, knife crime amongst the young has escalated to uncontrollable levels, with police cuts, closure of youth services and social care, leading many with the inability to escape and furthermore to extremes and desperation.

Would any of the people affected be likely to join these movements or is their anger at a point where they are more likely to be pushed to extremes?

And how many times does this need to repeat to feel real in order of recognizing violence is not a resolution tactic, sometimes even when it is in defense.

Is activism and progressive thinking a middle-class will?

Artists and creatives around the world will surely emerge with an engaging and metaphorical message. That is the traffic light defining we live in intolerable political times.

Tracey Emin made her stand with the neon writing at St Pancras station. And that is all good willed and valuable. Many others follow.

However I can’t help but wonder how the most marginalised will gain a voice again. And who will care enough to listen, and for what reason.

View from the window

We are still in January and naturally been spending a fair amount of time indoors.

Whether it is in our nature to be looking ahead or instilled by the tradition of looking out at vistas, the landscape is our place of contemplation, connection and restoration.

We have in modern times moved away from trying to beautify it. In the 80’s and 90’s work by photographers like Martin Parr and Willie Doherty showed us our reality of urbanisation with landscapes littered by rubber tires and eye blinding beach accessories offending the natural flow of a beachy landscape.

In our sense of voyerism, I have been fighting my own struggle of being in a city whereas I feel being in nature is my call.

To balance this feeling I recorded the landscape as it changes with the weather from my office window. It doesn’t talk about the environment our damage to it or any of that. It is what you see, and with little description, I invite you to be part of that experience.