As the summer came to a close, it is only fair to be sharing memories of moments by the water, the gentle warmth of the days and evenings at home and away.
Being busy with work, and preparing for rowing competitions, put plans well behind however the time of days on the beach, drinks by the river and working on a canal boat in the gentle breeze balanced the summer out.
The POTUS Inaguration will be remembered amongst other things for the memes that followed, most memorably Bernie Sanders sat on a chair in the bitter cold wearing a pair of hand-knitted mittens.
Most following the story will know Jen Ellis made them and how inundated with requests Jen was following that very memorable day.
Three days after that, having followed the story, I bought them online from Jen Ellis’ shop. All proceeds go to charity in Vermont and the mittens are made in partnership with the Vermont Teddy Bear Company.
In London, I received the mittens this week, over three months later and despite being 15C outside, I am super happy to have them to the point of being tempted to strut them out in the street.
Well here we go again, only this time things are a bit different.
In London, there are noticeably less people out after dark, but shopping malls and cafes are still serving take outs and grocery essentials.
This means the earlier photos from the lockdown in spring bear a significant difference to the way urban landscapes look now.
For example, there are a fair amount of labourers and cleaning staff going out and about their business as usual. Spaces look less derelict and more like Sundays before London got crowded millennium onwards.
In urban green spaces, people don’t consider being in fairly crowded conditions, a threat from covid anymore. Benches are open and cyclists have equal access to parks.
The level of interaction with larger crowds is a personal preference.
On a recent cycle with Simon around trendy Hackney Wick and guardian reader pretentious Hackney on Victoria Park, the crowds were heavily dense in many public play areas and entrances.
Away from the long queues outside to pick up coffees and take outs in places where some think it’s important to be at, our was certaintly picking a fish and chips from a good old reliable affordable local chippy just east of Victoria Park to the Wick.
No queues, no wait, no hassle. After a five minute walk, we were enjoying dinner on a bench in the park.
In my next blog I will write about meaningful ways to spend preparing for Christmas holidays and Christmas day itself.
Many get carried away with meaningless cultural traditions, missing the point. Culture can be as oppressive as American culture’s cultural non existence, when it adds no experiental reflection or mindful rest.
In a time of self reflection I couldn’t be luckier having met four days after landing back from a two month trip away early August 2019. And here we are still are today.
Back in the park, we sat watching the lowering sun introducing the mist, the temperature drop, the sensation of colours struggling to define themselves in this new reality.
I suppose this time, it is also the first time of the year’s season under covid for our urban neighbourhoods too. Well I say, we can only pay homage to this another new reality for the family albums to come.
Really, what’s there to complain about? And why not to?
Noticing the small changes in the way the air’s scent carries cooking smells, perfumes and sound vibrations…
The light moisture chilling the edges off living things…
The light mist flowing through the land, thickening and lightening as it absorbs the wind.
Wood burning in the city, logs burning in the fireplace, smoke climbing up from canal boat chimneys into the gaps of the urban air channels.
The yellowy orange with blues of the sunsets and the sunrises. A sun blessed season eclipsing into the vibrancy of the next. Nature signalling for a final celebration before it returns next year in spring.
The cozyness of the orange, greys, dark purples, bronze and blacks decorating cozy corners energised by alchemy, alcohol and warmth.
I had just finished my exams, celebrated my birthday and got on a flight London to Seattle.
I found myself arriving at a 22 buck a night air bnb in Highline on the outskirts of Seattle with a quarter full suitcase and lots of time to absorb my new home, write my dissertation, and quickly explore the city in five days before catching the greyhound to Portland.
I loved where I was staying instantly. A wooden structure, shared between three of us, just the right dynamics of chats, learning about our differences and expectations en transit, keeping sweet vibes throughout and respecting each other’s time needs and privacy. I loved waking up surrounded by the alpine greenness of pnw. Got my Orca loaded, and picked my daily trips between jumping on the 35min bus journey to the city centre, or 35 min walk to the coast.
Seattle is where my journey begun, and where it ended.
I got caught on the rising tide on a private beach, I studied in the most quaint little library in Fremont, strolled in unexpected familiarity up and down University Way and experienced the awe of Japanese tourists in Suzzallo and Allen Libraries the setting of some of the Harry Potter scenes.
Seattle is the uber cool without the forced coolness. It is grounded, down to earth, green, gorgeous, creative and blatant.
I couldn’t have ever imagined Seattle would have made such a fundamental mark and given me so many beautiful memories from this two month trip, and without sparing any important details, I couldn’t have asked for more.
Other than to return, again and again to soak up the atmosphere before I move on again.
This presentation was produced by Athina Fokidou for the MSc Security class (combined) at the School of Oriental and African Studies, University of London, 2018.
The Case study is the destruction of the Dawlish seafront railway in the South West coast of the United Kingdom by climatic events and the consequent political battlefield of unmet promises.
The objective of the presentation is to raise awareness of the players in responses to climate, their intentions and unknown coercive strategies in the nexus of the state and individual contractual exchange.
Two years ago I came accross the documentary called Men of the Thames. The film is a journey of watermen and lightermen working in businesses on the Liquid Highway of London.
The story is narrated through the family histories of people with long associations to the London docks, the changes that have shaped their local industry since and their closeness to rowing.
Rowing for them is a family affair, taken up to continue the tradition of family participation in competitions, or as a means of rehabilitation from severe injury in pursue of ‘bringing those who stray back into a much supportive community’. It also highlights how tragedy is reflected upon and the power of responsibility owned by those working on the river.
The second documentary zooms in on the Doggetts Coat and Badge race.
Introduced and funded by Thomas Doggetts, the film takes us into the community within one of the oldest livery companies in London, housed at the Watermen’s Hall.
This is a single sculling race for apprentices in the lightermen and watermen sectors of London, traditionally originating East from the Tower of London.
Rowing in these parts of London was a far cry from the associations of today to university crews and the boat race.
Oared vessels were used to transport people by the river, and the importance of understanding the tides, steering in the streams and the elements in these wider parts of Thames were key to safe and time efficient passage.
Many of the references point to rowing facilities in the east of London. The London Youth Rowing, next to the City Airport is a more recent addition utilised by many regional clubs. Poplar and Blackwall District Rowing Club hosts exhibits from generations of Doggetts winners, many of whom trained from the club. Further athletes went on to row competitively in high performance national, international and Olympic events.
The Eastend is a place of transience and evolving histories, still unfolding to date.
Chefchaouen is the perfect day or weekend trip on your travels in Morocco.
Famous for the blue painted buildings, more recently featured on French Montana’s ‘Famous’ videoclip
https://www.youtube.com/watch?v=LNHkxOU7zz8 that was filmed in the souks and circular main road around the town sitting on the mountain side. The 33 year old moroccan-american artist is from the Casablanca and often pays tribute to his love for Morocco.
Back to Chefchaouen, the town is easily navigable by foot, but not wheelchair users, or for those with mobility difficulties. Built on the mountain side, souk and town streets climb up and down through the mountain curves, offering exquisite views over the town and the landscape beyond.
Chefchaouen is one of the easier villages to travel through Morocco. It is small enough to walk through in a day, and big enough that you can find another photogenic corner to help you on your dream-scape of what life may be like in the town, or in-fact to those that grow up in the alleys and buildings, protected by the elements and near everything else.
Here are some of the photos from our visit, we arrived on a cloudy and rainy day, yet it was also wonderful to see the town in non-postcard conditions, a different, and what felt more genuine side of life there. Rain gently encouraged us to go into the local cafe, not the tourist ones, and to get lost around the back streets to a school, trying to find a way through to the main square.
Chefchaouen’s location is equally impressive nesting on the mountain feet, reminds you of the perspectives on life which is so easy to forget when bouncing about between places in a city.
You could say Chefchaouen becomes the little blue light, twilight, dream-scape of adventure.